By David Bergen
Born in 1930 in a small city outdoors Winnipeg, attractive wish Koop seems to be destined to have a traditional existence. Church, marriage to a gentle younger guy, children— her fortunes are already laid out for her, as are the glossy smooth home equipment in her new domestic. All she has to do is stick with Roy, who loves her. yet because the a long time spread, what seems a secure, predictable lifestyles overwhelms desire. Where— one of the calls for of her youngsters, the expectancies of her husband and the demanding situations of her ally, Emily, who has simply learn The female Mystique— is there room for her? And simply who's she besides? A spouse, a mom, a girl whose lifestyles is someway unrealized?
This fantastically crafted and perceptive paintings of fiction spans a few fifty years of desire Koop's existence within the moment 1/2 the 20 th century, from traditionalism to feminism and past. David Bergen has created an indelible portrait of a possible traditional girl who struggles to just accept herself as she is, and in so doing turns into specified.
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Additional resources for The Age of Hope
Transformational intermediality is therefore the reverse side of Schröter’s fourth category. – Ontological intermediality or ontomediality, which highlights the fact that media always already exist in a medial network and never in splendid isolation. ” (Schröter 2012, 28) Ontological intermediality does not follow the specificities of given and defined media, but rather precedes them; the concept of ontological intermediality or ontomediality undermines the idea of clearly separated media, and “we have to recognize that it is not individual media that are primal and then move toward each other intermedially, but that it is intermediality that is primal and that the clearly separated ‘monomedia’ are the result of purposeful and institutionally caused blockades, incisions, and mechanisms of exclusion” (Schröter 2012, 30).
Paying tribute to the fact that media do not exist disconnected from each other, the handbook aims at familiarizing its readers with the diverse – affirmative as well as critical – approaches to theoretical concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, intermedial methodology and related concepts such as visual culture, literary visuality, the musicalization of fiction and poetry, literary acoustics, remediation, adaptation, and multimodality etc.
The sensuous side of a sign, in semiotics (1999, 13). According to Marie-Laure Ryan, different media such as oil painting, music, digital photography, and film “are not hollow conduits for the transmission of messages but material supports of information whose materiality, precisely, ‘matters’ for the type of meanings that can be encoded” (Ryan 2004, 1–2). Instead, “a medium is a category that truly makes a difference about what stories can be evoked or told, how they are presented, why they are communicated, and how they are experienced” (2004, 18).
The Age of Hope by David Bergen